- INTRO
- 01
- How is the D-21 different from other digital cameras?
- 02
- How affordable is the D-21?
- 03
- Does the D-21 use any compression and what are the recording options?
- 04
- Which recording format should I choose for a feature film, TV drama or commercial?
- 05
- How does raw data shooting work in practice and what are its pros and cons compared with HD?
- 06
- Can D-21 images be sucessfully inter-cut with 35mm or S16 film?
- 07
- Is production efficiency or the number of setups per day affected?
- 08
- Are there any special environmental considerations – heat, dust, rain, etc. to worry about?
- 09
- How does the D-21 sensor influence the image colorimetry and depth-of-field?
- 10
- What are the sensitivity options and exposure latitude?
- 11
- What frame rate options do I have?
- 12
- How do crew roles compare to shooting on film?
- 13
- Why is the optical viewfinder so important?
- 14
- Are there any sound-related issues?
- 15
- Which lens can be used and how about anamorphic?
- 16
- Does the D-21 work well for green/bluescreen shooting?
- 17
- Can I shoot handheld or on a Steadicam rig?
- 18
- What kind of video assist system can I use?
- 19
- Do I need big and heavy HD monitors on the set?
- 20
- Should I worry about make-up, costume and set design?
- 21
- Are there any special considerations affecting offline, grading or postproduction?
21 Questions about the D-21
Introduction
The ARRIFLEX D-21 film style digital camera is the successor to the
D-20 and represents the significant progress ARRI has made in the field of digital image acquisition. While the sensor and camera body of the D-20 have been retained, major hardware and software improvements, as well as greatly expanded versatility of functions and workflows, make the D-21 well suited to a wide range of applications.
As a manufacturer of both film and digital motion picture cameras,
ARRI is able to offer the right tools for any type of production through its global rental network.
The design and development of the D-21 has benefited from ARRI’s unrivalled knowledge of film camera technology and the result is the most film-like digital camera available today.
Cinematographers and camera crews accustomed to working with
Super 16 and 35mm film cameras adapt easily to the D-21, and the camera fits readily into established production processes.
The D-21 can be used for feature films, high quality TV drama, visual effects sequences, commercials and music videos. Decisions regarding whether to use it, and how to use it, are inextricably linked to the entire workflow of a production and involve many variables.
These pages attempt to pose and answer the questions most commonly asked by producers, directors and cinematographers considering the ARRIFLEX D-21 for a forthcoming project.
- More about the D-21
- Overview
- Technical Data
- Rental Rates
- Production Credits
- 21 Questions
- Downloads
- D-21 Data Sheet
- D-21 User Guide (12.7 MB)
- D-21 Article ARRINEWS 4/2008
- D-21 Product Brochure (10.5 MB)
- Digital Inventory Listing
- Related Equipment
- On-Board Recording System OB-1



